![]() ![]() Hodler enjoyed international esteem during his lifetime. Today it houses an impressive collection of work by this outstanding Swiss artist, with a mural, historical paintings, portraits and many of his popular landscapes featuring mountains and lakes. Opened in 1910, the Kunsthaus was dominated by Hodler’s modern painting until after the First World War. The curve of the horizon and bright band of clouds reflects the course of their movement, which reaches its climax in the central figure, representing spirituality. The increasing brightness is mirrored in the posture of the various figures, their limbs unfolding like the petals of a blossom. They embody the individual phases of daybreak, from its first gleam to full daylight. Day as it dawns is symbolized by five young women, whom the artist has arranged on his monumental, landscape-format canvas in conformity with a strict central symmetry. In his painting The Day Hodler strove to represent, through this symmetrical composition, the entire existence of all things – mineral, organic and spiritual. He saw the expression of such pantheism in the symmetrical structures of mountains, plants and living creatures. Conversely, his Olympian position during his later. The class affiliation is important to note as it helps in understanding Hodler’s evolution and embitterment: large portions of his career were rendered arduous on no other basis than provincial class snobbery. For just pennies a day per child, this program changes lives - and ultimately can impact the futures of poor countries around the world in a profound way. Ferdinand Hodler was born to the working class in Bern, Switzerland, in 1853. Hodler developed his own theory, called ‘parallelism’, derived from the idea that the entire world was animated by one and the same organizing spirit. School feeding not only fills stomachs, but has a proven track record of boosting enrollment, attendance and academic performance. ![]() Symbols served it in this pursuit as a means of expression and allowed it to create contexts in which it could represent the higher laws of the cosmos. Ferdinand II, byname Ferdinand the Catholic, Spanish Fernando el Católico, (born March 10, 1452, Sos, Aragon Spaindied January 23, 1516, Madrigalejo, Spain), king of Aragon and king of Castile (as Ferdinand V) from 1479, joint sovereign with Queen Isabella I. While his early work bore opulent testimony to realism, in the 1890s Ferdinand Hodler took a turn towards Symbolism, a reaction to naturalism and materialism that was in the process of discovering its own mystico-spiritual motifs. ![]()
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